13.8.25

SHWETHA MENON'S CASE

 


Artistic Freedom vs Obscenity Allegations: The Legal Questions in the Shwetha Menon Case


By Adv. Salil Kumar P.

Roll No.K/136/1999

Kozhikode - 673001

Ph: 8075113965


Background

A recent complaint filed against noted Malayalam actress Shwetha Menon, alleging that her performance in three films was "obscene", has sparked public and legal debate. The police initially refused to register an FIR. Consequently, the complainant approached the Chief Judicial Magistrate (CJM) Court, Ernakulam, under Section 210(3) of the Bharatiya Nagarik Suraksha Sanhita (BNSS), 2023. The Magistrate referred the matter to the police for investigation, resulting in the registration of an FIR. Shwetha Menon subsequently approached the High Court, which stayed all proceedings against her.


This legal episode presents an important opportunity to evaluate three crucial stages of criminal procedure under the BNSS, 2023 — the refusal to register an FIR, the referral by the Magistrate, and the High Court’s intervention.


1. Can the Police Lawfully Refuse to Register an FIR?

Under Section 173(1) of BNSS, 2023, which corresponds to Section 154(1) of the repealed CrPC, police are mandated to register an FIR upon receiving information about the commission of a cognizable offence.


"Where information is given relating to the commission of a cognizable offence, the officer in charge of a police station shall register the same."


However, the Supreme Court in Lalita Kumari v. Government of UP [(2013) 14 SCC 1] clarified that in certain categories of complaints — such as matrimonial disputes, medical negligence, or commercial fraud — the police may conduct a preliminary inquiry before registering an FIR.


Complaints alleging obscenity in artistic performances often fall into the grey area where the offence is not prima facie cognizable without careful evaluation of context. Hence, the initial refusal by the police to register an FIR in this case may be interpreted as within their discretionary powers, pending assessment of the artistic content's nature.


2. Referral by the Magistrate under BNSS Section 210(3)

Upon police inaction, the complainant invoked Section 210(3) of BNSS, the functional equivalent of Section 156(3) of CrPC, which empowers Magistrates to direct the police to investigate complaints disclosing cognizable offences.


"A Magistrate empowered under Section 208 may order an investigation by police if a complaint disclosing a cognizable offence is made before him."


Before issuing such a direction, the complainant is required to file a sworn affidavit establishing good faith and seriousness of the allegation.


The Supreme Court in Priyanka Srivastava v. State of UP [(2015) 6 SCC 287] held:


“Applications under Section 156(3) must be supported by an affidavit, demonstrating that the complainant has not approached the court casually.”


Accordingly, in the Shwetha Menon case, the Magistrate, satisfied with the complaint’s content and compliance with procedural requirements, exercised powers under Section 210(3) and directed investigation, resulting in an FIR.


3. High Court’s Power to Stay Proceedings under Section 528 BNSS

The actress moved the Kerala High Court seeking quashing of the FIR and a stay on further proceedings, citing abuse of process and violation of her artistic freedom. The High Court exercised its inherent powers under Section 528 of the BNSS, identical in essence to the repealed CrPC Section 482:


“Nothing in this Code shall be deemed to limit the inherent powers of the High Court to make such orders... to prevent abuse of the process of any court or otherwise to secure the ends of justice.”


The right to artistic expression and reputation, protected under Article 19(1)(a) and Article 21 of the Constitution respectively, were at the heart of the defense’s arguments.


Relevant case law:


S. Khushboo v. Kanniammal [(2010) 5 SCC 600]


“Prosecution cannot be initiated against public figures merely because their words or acts offend some sections. A clear legal offence must be made out.”


Subramanian Swamy v. Union of India [(2016) 7 SCC 221]


“Reputation is part of Article 21, but criminal law cannot be weaponised to suppress dissent or creativity.”


Mini v. State of Kerala [2023 (Ker) HC]


“Whether a performance is obscene must be judged on the work’s overall artistic merit, not isolated scenes.”


In light of these decisions, the High Court prima facie found that the FIR may have been unwarranted and stayed the proceedings, recognizing the potential misuse of criminal law to stifle artistic expression.


Legal Takeaways

Police Refusal to Register FIR


Under BNSS Section 173(1), FIR registration is mandatory for cognizable offences.


However, as per Lalita Kumari, preliminary inquiry is permitted in certain sensitive categories like obscenity, which may justify police hesitation.


Judicial Recourse for Complainant


If FIR is denied, complainants may seek remedy under BNSS Section 210(3), provided they submit a sworn affidavit and disclose a prima facie cognizable offence.


Magistrates are empowered to direct police investigation without themselves taking cognizance.


High Court Intervention


The High Court has wide powers under BNSS Section 528 to prevent abuse of criminal process, especially when fundamental rights such as artistic freedom or reputation are implicated.


Artistic content must be viewed holistically. Isolated scenes cannot constitute criminal obscenity without clear intent or societal harm.


Conclusion


Freedom of expression and creativity is the bedrock of a democratic society. While no freedom is absolute, criminal law should not be misused to censor or intimidate artists. Courts play a crucial role in balancing the right to reputation and public decency with the constitutional protection of artistic freedom. The Shwetha Menon case is a telling example of how the BNSS, 2023, is being tested in its initial years, particularly in its balance between individual rights and institutional processes.


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